Ernst Mach showed that sound must travel at a particular speed through any material, one determined by the conservation of energy and of entropy. At room temperature and 1 atm, that speed is theoretically predicted to be 343 m/s. For a wave to move at any other speed, either the laws of energy conservation would have to fail, or ∆S ≠ 0 and the wave would die out. This is the only speed where you could say there is a traveling wave, and experimentally, this is found to be the speed of sound in air, to good accuracy.

Still, it strikes me that Mach’s assumptions may have been too restrictive for short-distance sound waves. Perhaps there is room for other sound speeds if you allow ∆S > 0, and consider sound that travels short distances and dies out far from the source. Waves at these, other speeds might affect music appreciation, or headphone design. As these waves were never treated in my thermodynamics textbooks, I wondered if I could derive their speed in any nice way, and if they were faster or slower than the main wave? (If I can’t use this blog to re-think my college studies, what good is it?)

As a first step to trying to re-imagine Mach’s calculation, here is one way to derive the original, for ∆S = 0, speed of sound: I showed in a previous post that the entropy change for compression can be imagines to have two parts, a pressure part at constant temperature: dS/dV at constant T = dP/dT at constant V. This part equals R/V for an ideal gas. There is also a temperature at constant volume part of the entropy change: dS/dT at constant V = Cv/T. Dividing the two equations, we find that, at constant entropy, dT/dV = RT/CvV= P/Cv. For a case where ∆S>0, dT/dV > P/Cv.

Now lets look at the conservation of mechanical energy. A compression wave gives off a certain amount of mechanical energy, or work on expansion, and this work accelerates the gas within the wave. For an ideal gas the internal energy of the gas is stored only in its temperature. Lets now consider a sound wave going down a tube flow left to right, and lets our reference plane along the wave at the same speed so the wave seems to sit still while a flow of gas moves toward it from the right at the speed of the sound wave, u. For this flow system energy is concerned though no heat is removed, and no useful work is done. Thus, any change in enthalpy only results in a change in kinetic energy. dH = -d(u^{2})/2 = u du, where H here is a per-mass enthalpy (enthalpy per kg).

dH = TdS + VdP. This can be rearranged to read, TdS = dH -VdP = -u du – VdP.

We now use conservation of mass to put du into terms of P,V, and T. By conservation of mass, u/V is constant, or d(u/V)= 0. Taking the derivative of this quotient, du/V -u dV/V^{2}= 0. Rearranging this, we get, du = u dV/V (No assumptions about entropy here). Since dH = -u du, we say that u^{2 }dV/V = -dH = -TdS- VdP. It is now common to say that dS = 0 across the sound wave, and thus find that u^{2} = -V^{2 }(dP/dV) at const S. For an ideal gas, this last derivative equals, PCp/VCv, so the speed of sound, u= √PVCp/Cv with the volume in terms of mass (kg/m^{3}).

The problem comes in where we say that ∆S>0. At this point, I would say that u^{2 }= -V(dH/dV) = VCp dT/dV > PVCp/Cv. Unless, I’ve made a mistake (always possible), I find that there is a small leading, non-adiabatic sound wave that goes ahead of the ordinary sound wave and is experienced only close to the source caused by mechanical energy that becomes degraded to raising T and gives rise more compression than would be expected for iso-entropic waves.

This should have some relevance to headphone design and speaker design since headphones are heard close to the ear, while speakers are heard further away. Meanwhile the recordings are made by microphones right next to the singers or instruments.

Robert E. Buxbaum, August 26, 2014